| Photography takes an instant out of time, | Photography is a major force in explaining |
| altering life by holding it still. - Dorothea | man to man. - Edward Steichen |
| Lange | |
| | Photography records the gamut of feelings |
| "Simply look with perceptive eyes at the | written on the human face, the beauty of the |
| world about you, and trust to your own | earth and skies that man has inherited and the |
| reactions and convictions. Ask yourself: | wealth and confusion man has created. |
| "Does this subject move me to feel, think | - Edward Steichen |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | You've got to push yourself harder. You've got |
| convey - from the subject before me?" | to start looking for pictures nobody else could |
| - Ansel Adams | take. You've got to take the tools you have and |
| | probe deeper. - William Albert Allard |
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Houston |
Dallas |
San Francisco |
Staten Island |
Birmingham |
Scottsdale |
Cincinnati |
York |
New Orleans |
Buffalo |
Metairie |
Birmingham |
Sebring |
Yukon |
Bronx |
Saranac Lake |
Malvern |
King Of Prussia |
Bellevue |
Lewes |
Camp Hill |
Thomson |
Brookings |
Winnsboro |
Troy |
Hamilton |
Cleveland |
Overland Park |
Hillsboro |
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| One should really use the camera as though | A good picture is equivalent to a good deed. |
| tomorrow you'd be stricken blind. | - Vincent Van Gogh |
| - Dorothea Lange | |
| | Keep it simple. - Alfred Eienstaedt |
| Photography suits the temper of this ageof | |
| active bodies and minds. It is a perfect | A great photograph is one that fully expresses |
| medium for one whose mind is teeming with | what one feels, in the deepest sense, about |
| ideas, imagery, for a prolific worker who | what is being photographed. - Ansel |
| would be slowed down by painting or | Adams |
| sculpting, for one who sees quickly and acts | |
| decisively, accurately. - Edward Weston | |
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