| Above all, it's hard learning to live with vivid | You can find pictures anywhere. It's simply a |
| mental images of scenes I cared for and failed | matter of noticing things and organizing them. |
| to photograph. It is the edgy existence within | You just have to care about what's around you |
| me of these unmade images that is the only | and have a concern with humanity and the |
| assurance that the best photographs are yet to | human comedy. - Elliott Erwitt |
| be made. - Sam Abell | |
| | I think the best pictures are often on the edges |
| Photography takes an instant out of time, | of any situation, I don't find photographing the |
| altering life by holding it still. - Dorothea | situation nearly as interesting as |
| Lange | photographing the edges. - William Albert |
| | Allard |
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Houston |
Philadelphia |
Tampa |
San Jose |
Virginia Beach |
Grand Rapids |
San Antonio |
Longwood |
St. Joseph |
Hayward |
Ithaca |
Garden Grove |
League City |
Gardner |
Farmington Hills |
Camarillo |
Spring Lake |
Morristown |
Muskegon |
Santa Fe Springs |
Edgewood |
Fife |
Thorofare |
Richmond |
Monroe |
Buffalo |
Wesley Chapel |
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| Memory is very important, the memory of | One should really use the camera as though |
| each photo taken, flowing at the same speed | tomorrow you'd be stricken blind. |
| as the event. During the work, you have to be | - Dorothea Lange |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | The difficulty with color is to go beyond the |
| be too late. - Henri Cartier Bresson | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| Photography records the gamut of feelings | something. It's difficult. So often color gets |
| written on the human face, the beauty of the | caught up in color, and it becomes merely |
| earth and skies that man has inherited and the | decorative. Some photographers use [ it ] |
| wealth and confusion man has created. | brilliantly to make visual statements combining |
| - Edward Steichen | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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