| It is not the language of painters but the | I think you have to have a real point of view |
| language of nature which one should listen to. | that's your own. You have to tell it your way. |
| . . . The feeling for the things themselves, for | And, I think that it's a mistake to shoot for a |
| reality, is more important than the feeling for | specific magazine's point of view because it's |
| pictures. - Vincent Van Gogh | never going to be as good. You have to shoot |
| | for yourself and photograph [the way] you |
| Photography is my passion. - Alfred | believe it. - Mary Ellen Mark |
| Stieglitz | |
| | Photography is a major force in explaining |
| "Simply look with perceptive eyes at the | man to man. - Edward Steichen |
| world about you, and trust to your own | |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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Houston |
Fort Lauderdale |
Glendale |
Marietta |
Torrance |
Roanoke |
El Paso |
Stockbridge |
Vista |
West Orange |
Brunswick |
Pine Bluff |
Rehoboth Beach |
Camarillo |
Puyallup |
Minocqua |
Fayetteville |
Burleson |
Absecon |
Lone Pine |
New Ashford |
Solano Beach |
Millville |
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| My own eyes are no more than scouts on a | No place is boring, if you've had a good |
| preliminary search, for the camera's eye may | night's sleep and have a pocket full of |
| entirely change my idea. - Edward | unexposed film. - Robert Adams |
| Weston | |
| | Keep it simple. - Alfred Eienstaedt |
| The virtue of the camera is not the power it | |
| has to transform the photographer into an | Sometimes you can tell a large story with a |
| artist, but the impulse it gives him to keep on | tiny subject. - Eliot Porter |
| looking. - Brooks Anderson | |
| | A good picture is equivalent to a good deed. |
| | - Vincent Van Gogh |
|