| A great photograph is one that fully expresses | A mad, keen photographer needs to get out |
| what one feels, in the deepest sense, about | into the world and work and make mistakes. |
| what is being photographed. - Ansel | - Sam Abell |
| Adams | |
| | One should really use the camera as though |
| You learn to see by practice. It's just like | tomorrow you'd be stricken blind. |
| playing tennis, you get better the more you | - Dorothea Lange |
| play. The more you look around at things, the | |
| more you see. The more you photograph, the | The virtue of the camera is not the power it |
| more you realize what can be photographed | has to transform the photographer into an |
| and what can't be photographed. You just have | artist, but the impulse it gives him to keep on |
| to keep doing it. - Eliot Porter | looking. - Brooks Anderson |
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| Once photography enters your bloodstream, | Pictures you have taken have an influence on |
| it's like a disease. - Anon | those that you are going to make. |
| | That's life! - John Sexton |
| "Simply look with perceptive eyes at the | |
| world about you, and trust to your own | You've got to push yourself harder. You've got |
| reactions and convictions. Ask yourself: | to start looking for pictures nobody else could |
| "Does this subject move me to feel, think | take. You've got to take the tools you have and |
| and dream? Can I visualize a print - my own | probe deeper. - William Albert Allard |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | Photography knows how to authenticate its |
| - Ansel Adams | misrepresentations. - Mason Cooley |
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