| You've got to push yourself harder. You've got | Photography takes an instant out of time, |
| to start looking for pictures nobody else could | altering life by holding it still. - Dorothea |
| take. You've got to take the tools you have and | Lange |
| probe deeper. - William Albert Allard | |
| | Photography is my passion. - Alfred |
| Memory is very important, the memory of | Stieglitz |
| each photo taken, flowing at the same speed | |
| as the event. During the work, you have to be | There is nothing worse than a sharp image of |
| sure that you haven't left any holes, that you've | a fuzzy concept. - Ansel Adams |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | |
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Los Angeles |
Baltimore |
Columbus |
Johnstown |
Evansville |
Colorado Springs |
Redlands |
Kirkland |
Westbury |
Harrisonburg |
Savage |
Punta Gorda |
Concord |
White Bear Lake |
Chincoteague |
Ishpeming |
Ukiah |
Hutchinson |
Leeds |
Jasper |
Searcy |
Ft Morgan |
Brookville |
Gautier |
Germantown |
Latham |
Suisun |
White Plains |
Farmington |
Lone Pine |
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| Sometimes you can tell a large story with a | The difficulty with color is to go beyond the |
| tiny subject. - Eliot Porter | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| I think the best pictures are often on the edges | something. It's difficult. So often color gets |
| of any situation, I don't find photographing the | caught up in color, and it becomes merely |
| situation nearly as interesting as | decorative. Some photographers use [ it ] |
| photographing the edges. - William Albert | brilliantly to make visual statements combining |
| Allard | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
| You can find pictures anywhere. It's simply a | |
| matter of noticing things and organizing them. | |
| You just have to care about what's around you | |
| and have a concern with humanity and the | |
| human comedy. - Elliott Erwitt | |
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