| A room hung with pictures is a room hung with | Photography knows how to authenticate its |
| thoughts. - Sir Joshua Reynolds | misrepresentations. - Mason Cooley |
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| You learn to see by practice. It's just like | Memory is very important, the memory of |
| playing tennis, you get better the more you | each photo taken, flowing at the same speed |
| play. The more you look around at things, the | as the event. During the work, you have to be |
| more you see. The more you photograph, the | sure that you haven't left any holes, that you've |
| more you realize what can be photographed | captured everything, because afterwards it will |
| and what can't be photographed. You just have | be too late. - Henri Cartier Bresson |
| to keep doing it. - Eliot Porter | |
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Chicago |
Tulsa |
Tampa |
Jacksonville |
Boston |
Vero Beach |
Huntington Beach |
Torrance |
Hemet |
Hollywood |
Inglewood |
Muskogee |
Pittsfield |
Roswell |
Riverside |
Port Orchard |
Havre |
Hurst |
La Mesa |
Lexington |
Willows |
Alcoa |
Chester |
Brandon |
Randolph |
Mayfield |
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| The difficulty with color is to go beyond the | Photography takes an instant out of time, |
| fact that it's color to have it be not just a | altering life by holding it still. - Dorothea |
| colorful picture but really be a picture about | Lange |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | There is nothing worse than a sharp image of |
| decorative. Some photographers use [ it ] | a fuzzy concept. - Ansel Adams |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | Above all, it's hard learning to live with vivid |
| - Mary Ellen Mark | mental images of scenes I cared for and failed |
| | to photograph. It is the edgy existence within |
| | me of these unmade images that is the only |
| | assurance that the best photographs are yet to |
| | be made. - Sam Abell |
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