| No place is boring, if you've had a good | One should really use the camera as though |
| night's sleep and have a pocket full of | tomorrow you'd be stricken blind. |
| unexposed film. - Robert Adams | - Dorothea Lange |
| | |
| You learn to see by practice. It's just like | The virtue of the camera is not the power it |
| playing tennis, you get better the more you | has to transform the photographer into an |
| play. The more you look around at things, the | artist, but the impulse it gives him to keep on |
| more you see. The more you photograph, the | looking. - Brooks Anderson |
| more you realize what can be photographed | |
| and what can't be photographed. You just have | Photography suits the temper of this ageof |
| to keep doing it. - Eliot Porter | active bodies and minds. It is a perfect |
| | medium for one whose mind is teeming with |
| | ideas, imagery, for a prolific worker who |
| | would be slowed down by painting or |
| | sculpting, for one who sees quickly and acts |
| | decisively, accurately. - Edward Weston |
|
|
Brooklyn |
Boston |
Jackson |
Albuquerque |
Spring Hill |
Farmington |
Glenview |
Highland Park |
Lake City |
Everett |
Brighton |
Coldwater |
Vernon |
Gunnison |
Rockford |
Bothell |
Mason |
Gulf Breeze |
Elizabethton |
Little Falls |
Alexandria |
Maple Shade |
Addison |
Vermillion |
Dunedin |
|
|
| There is nothing worse than a sharp image of | You've got to push yourself harder. You've got |
| a fuzzy concept. - Ansel Adams | to start looking for pictures nobody else could |
| | take. You've got to take the tools you have and |
| [Photography] is a way of feeling, of touching, | probe deeper. - William Albert Allard |
| of loving. What you have caught on film is | |
| captured forever . . . it remembers little things, | ...words and pictures can work together to |
| long after you have forgotten everything. | communicate more powerfully than either |
| - Aaron Siskind | alone. -William Albert Allard |
| | |
| Photography takes an instant out of time, | Memory is very important, the memory of |
| altering life by holding it still. - Dorothea | each photo taken, flowing at the same speed |
| Lange | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
|