| Now to consult the rules of composition before | Photography records the gamut of feelings |
| making a picture is a little like consulting the | written on the human face, the beauty of the |
| law of gravitation before going for a walk. | earth and skies that man has inherited and the |
| Such rules and laws are deduced from the | wealth and confusion man has created. |
| accomplished fact; they are the products of | - Edward Steichen |
| reflection . . . - Edward Weston | |
| | Photography is a major force in explaining |
| [Photography] is a way of feeling, of touching, | man to man. - Edward Steichen |
| of loving. What you have caught on film is | |
| captured forever . . . it remembers little things, | You've got to push yourself harder. You've got |
| long after you have forgotten everything. | to start looking for pictures nobody else could |
| - Aaron Siskind | take. You've got to take the tools you have and |
| | probe deeper. - William Albert Allard |
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| One should really use the camera as though | I think the best pictures are often on the edges |
| tomorrow you'd be stricken blind. | of any situation, I don't find photographing the |
| - Dorothea Lange | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| My own eyes are no more than scouts on a | Allard |
| preliminary search, for the camera's eye may | |
| entirely change my idea. - Edward | A room hung with pictures is a room hung with |
| Weston | thoughts. - Sir Joshua Reynolds |
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| The virtue of the camera is not the power it | Keep it simple. - Alfred Eienstaedt |
| has to transform the photographer into an | |
| artist, but the impulse it gives him to keep on | |
| looking. - Brooks Anderson | |
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