| One should really use the camera as though | Photography takes an instant out of time, |
| tomorrow you'd be stricken blind. | altering life by holding it still. - Dorothea |
| - Dorothea Lange | Lange |
| | |
| The virtue of the camera is not the power it | There is nothing worse than a sharp image of |
| has to transform the photographer into an | a fuzzy concept. - Ansel Adams |
| artist, but the impulse it gives him to keep on | |
| looking. - Brooks Anderson | "Simply look with perceptive eyes at the |
| | world about you, and trust to your own |
| The difficulty with color is to go beyond the | reactions and convictions. Ask yourself: |
| fact that it's color to have it be not just a | "Does this subject move me to feel, think |
| colorful picture but really be a picture about | and dream? Can I visualize a print - my own |
| something. It's difficult. So often color gets | personal statement of what I feel and want to |
| caught up in color, and it becomes merely | convey - from the subject before me?" |
| decorative. Some photographers use [ it ] | - Ansel Adams |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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Milwaukee |
Atlanta |
Santa Rosa |
Columbia |
High Point |
Albany |
Thomson |
Ellisville |
Bremerton |
Streetsboro |
Winter Park |
Rome |
Chico |
Cranston |
Research Triangle Park |
Rosenberg |
Westford |
Van Horn |
Savannah Beach |
Emmetsburg |
Turlock |
Piketon |
Adairsville |
Bluffton |
Pikesville |
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| You learn to see by practice. It's just like | Memory is very important, the memory of |
| playing tennis, you get better the more you | each photo taken, flowing at the same speed |
| play. The more you look around at things, the | as the event. During the work, you have to be |
| more you see. The more you photograph, the | sure that you haven't left any holes, that you've |
| more you realize what can be photographed | captured everything, because afterwards it will |
| and what can't be photographed. You just have | be too late. - Henri Cartier Bresson |
| to keep doing it. - Eliot Porter | |
| | Photography records the gamut of feelings |
| A good picture is equivalent to a good deed. | written on the human face, the beauty of the |
| - Vincent Van Gogh | earth and skies that man has inherited and the |
| | wealth and confusion man has created. |
| | - Edward Steichen |
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