| No place is boring, if you've had a good | I think you have to have a real point of view |
| night's sleep and have a pocket full of | that's your own. You have to tell it your way. |
| unexposed film. - Robert Adams | And, I think that it's a mistake to shoot for a |
| | specific magazine's point of view because it's |
| You can find pictures anywhere. It's simply a | never going to be as good. You have to shoot |
| matter of noticing things and organizing them. | for yourself and photograph [the way] you |
| You just have to care about what's around you | believe it. - Mary Ellen Mark |
| and have a concern with humanity and the | |
| human comedy. - Elliott Erwitt | Memory is very important, the memory of |
| | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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Los Angeles |
Cleveland |
Edmond |
Schaumburg |
Montebello |
Duncan |
Idaho Falls |
Martinez |
Blytheville |
Covina |
Green River |
Eastman |
Ripley |
Midland |
St. Charles |
Juneau |
Vancouver |
Lexington |
Waxahachie |
Adrian |
Long Branch |
Stillwater |
Whitefish |
Evans |
Delano |
Osceola |
Brownsburg |
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| A mad, keen photographer needs to get out | Now to consult the rules of composition before |
| into the world and work and make mistakes. | making a picture is a little like consulting the |
| - Sam Abell | law of gravitation before going for a walk. |
| | Such rules and laws are deduced from the |
| The virtue of the camera is not the power it | accomplished fact; they are the products of |
| has to transform the photographer into an | reflection . . . - Edward Weston |
| artist, but the impulse it gives him to keep on | |
| looking. - Brooks Anderson | Photography is my passion. - Alfred |
| | Stieglitz |
| One should really use the camera as though | |
| tomorrow you'd be stricken blind. | |
| - Dorothea Lange | |
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