| Photography takes an instant out of time, | I almost never set out to photograph a |
| altering life by holding it still. - Dorothea | landscape, nor do I think of my camera as a |
| Lange | means of recording a mountain or an animal |
| | unless I absolutely need a 'record shot'. My |
| Now to consult the rules of composition before | first thought is always of light. - Galen |
| making a picture is a little like consulting the | Rowell |
| law of gravitation before going for a walk. | |
| Such rules and laws are deduced from the | My own eyes are no more than scouts on a |
| accomplished fact; they are the products of | preliminary search, for the camera's eye may |
| reflection . . . - Edward Weston | entirely change my idea. - Edward |
| | Weston |
|
|
Chicago |
San Diego |
Durham |
Stockton |
Waco |
Atlanta |
Morgantown |
Tracy |
Walnut Creek |
Butler |
Brattleboro |
Oceanside |
Blytheville |
Wooster |
Navasota |
New Iberia |
Twentynine Palms |
Elko |
Hailey |
Statesville |
St. Paul |
Ankeny |
Booneville |
North Richland Hills |
Rutland |
|
|
| A great photograph is one that fully expresses | Photography is about finding out what can |
| what one feels, in the deepest sense, about | happen in the frame. When you put four |
| what is being photographed. - Ansel | edges around some facts, you change those |
| Adams | facts. - Gary Winogrand |
| | |
| I think the best pictures are often on the edges | Memory is very important, the memory of |
| of any situation, I don't find photographing the | each photo taken, flowing at the same speed |
| situation nearly as interesting as | as the event. During the work, you have to be |
| photographing the edges. - William Albert | sure that you haven't left any holes, that you've |
| Allard | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
|