| You've got to push yourself harder. You've got | You can find pictures anywhere. It's simply a |
| to start looking for pictures nobody else could | matter of noticing things and organizing them. |
| take. You've got to take the tools you have and | You just have to care about what's around you |
| probe deeper. - William Albert Allard | and have a concern with humanity and the |
| | human comedy. - Elliott Erwitt |
| Photography is about finding out what can | |
| happen in the frame. When you put four | A room hung with pictures is a room hung with |
| edges around some facts, you change those | thoughts. - Sir Joshua Reynolds |
| facts. - Gary Winogrand | |
| | I think the best pictures are often on the edges |
| | of any situation, I don't find photographing the |
| | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| | Allard |
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San Francisco |
New York |
Pittsburgh |
Omaha |
Brooklyn |
Metairie |
Fort Worth |
Burlingame |
Montebello |
Hutchinson |
Poplar Bluff |
Newark |
Hudson |
Pierre |
Plainfield |
Coleman |
Russellville |
Big Rapids |
St. Francisville |
Goodlettsville |
Richmond |
Berkeley |
Hasbrouck Heights |
Charlottesville |
Carefree |
Huron |
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| One should really use the camera as though | It is not the language of painters but the |
| tomorrow you'd be stricken blind. | language of nature which one should listen to. |
| - Dorothea Lange | . . . The feeling for the things themselves, for |
| | reality, is more important than the feeling for |
| A mad, keen photographer needs to get out | pictures. - Vincent Van Gogh |
| into the world and work and make mistakes. | |
| - Sam Abell | "Simply look with perceptive eyes at the |
| | world about you, and trust to your own |
| The difficulty with color is to go beyond the | reactions and convictions. Ask yourself: |
| fact that it's color to have it be not just a | "Does this subject move me to feel, think |
| colorful picture but really be a picture about | and dream? Can I visualize a print - my own |
| something. It's difficult. So often color gets | personal statement of what I feel and want to |
| caught up in color, and it becomes merely | convey - from the subject before me?" |
| decorative. Some photographers use [ it ] | - Ansel Adams |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
|