| It is not the language of painters but the | Memory is very important, the memory of |
| language of nature which one should listen to. | each photo taken, flowing at the same speed |
| . . . The feeling for the things themselves, for | as the event. During the work, you have to be |
| reality, is more important than the feeling for | sure that you haven't left any holes, that you've |
| pictures. - Vincent Van Gogh | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
| "Simply look with perceptive eyes at the | |
| world about you, and trust to your own | Pictures you have taken have an influence on |
| reactions and convictions. Ask yourself: | those that you are going to make. |
| "Does this subject move me to feel, think | That's life! - John Sexton |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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San Antonio |
Las Vegas |
Brooklyn |
Tulsa |
Alexandria |
Overland Park |
Madison |
Columbus |
Fort Collins |
Lowell |
Springfield |
Richmond |
Knoxville |
Glendale |
Anderson |
Sherman |
Kent |
Kittanning |
Albany |
Vidalia |
Georgetown |
Athens |
Canton |
Manteca |
Jacksonville |
Hermosa Beach |
Windsor Locks |
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| A mad, keen photographer needs to get out | I think the best pictures are often on the edges |
| into the world and work and make mistakes. | of any situation, I don't find photographing the |
| - Sam Abell | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| The camera makes everyone a tourist in other | Allard |
| people's reality. - Susan Sontag | |
| | You learn to see by practice. It's just like |
| The virtue of the camera is not the power it | playing tennis, you get better the more you |
| has to transform the photographer into an | play. The more you look around at things, the |
| artist, but the impulse it gives him to keep on | more you see. The more you photograph, the |
| looking. - Brooks Anderson | more you realize what can be photographed |
| | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
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