| Photography records the gamut of feelings | Keep it simple. - Alfred Eienstaedt |
| written on the human face, the beauty of the | |
| earth and skies that man has inherited and the | Sometimes you can tell a large story with a |
| wealth and confusion man has created. | tiny subject. - Eliot Porter |
| - Edward Steichen | |
| | A good picture is equivalent to a good deed. |
| ...words and pictures can work together to | - Vincent Van Gogh |
| communicate more powerfully than either | |
| alone. -William Albert Allard | I think the best pictures are often on the edges |
| | of any situation, I don't find photographing the |
| | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| | Allard |
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Pittsburgh |
New York |
Dallas |
Columbus |
Wichita |
Syracuse |
San Jose |
Savannah |
Winter Haven |
Cypress |
Clinton Township |
Columbia |
Edmond |
Huntington Beach |
Corpus Christi |
Costa Mesa |
Gallup |
Big Spring |
Robinson |
Juneau |
Salem |
Pacific Grove |
Paramus |
Deerfield |
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| It is not the language of painters but the | The virtue of the camera is not the power it |
| language of nature which one should listen to. | has to transform the photographer into an |
| . . . The feeling for the things themselves, for | artist, but the impulse it gives him to keep on |
| reality, is more important than the feeling for | looking. - Brooks Anderson |
| pictures. - Vincent Van Gogh | |
| | One should really use the camera as though |
| Now to consult the rules of composition before | tomorrow you'd be stricken blind. |
| making a picture is a little like consulting the | - Dorothea Lange |
| law of gravitation before going for a walk. | |
| Such rules and laws are deduced from the | The difficulty with color is to go beyond the |
| accomplished fact; they are the products of | fact that it's color to have it be not just a |
| reflection . . . - Edward Weston | colorful picture but really be a picture about |
| | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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