| You can find pictures anywhere. It's simply a | One should really use the camera as though |
| matter of noticing things and organizing them. | tomorrow you'd be stricken blind. |
| You just have to care about what's around you | - Dorothea Lange |
| and have a concern with humanity and the | |
| human comedy. - Elliott Erwitt | A mad, keen photographer needs to get out |
| | into the world and work and make mistakes. |
| No place is boring, if you've had a good | - Sam Abell |
| night's sleep and have a pocket full of | |
| unexposed film. - Robert Adams | The difficulty with color is to go beyond the |
| | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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Kansas City |
St. Louis |
Atlanta |
Fresno |
Grand Junction |
Butler |
Watertown |
Eau Claire |
Floral Park |
Boulder |
Silver Spring |
Gallipolis |
Germantown |
Foley |
Champaign |
Beckley |
San Benito |
West Valley City |
Vienna |
Suffolk |
Cathedral City |
Carthage |
Benson |
Blue Ash |
Ely |
Glendale Heights |
Astoria |
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| "Simply look with perceptive eyes at the | You've got to push yourself harder. You've got |
| world about you, and trust to your own | to start looking for pictures nobody else could |
| reactions and convictions. Ask yourself: | take. You've got to take the tools you have and |
| "Does this subject move me to feel, think | probe deeper. - William Albert Allard |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | Memory is very important, the memory of |
| convey - from the subject before me?" | each photo taken, flowing at the same speed |
| - Ansel Adams | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| Above all, it's hard learning to live with vivid | captured everything, because afterwards it will |
| mental images of scenes I cared for and failed | be too late. - Henri Cartier Bresson |
| to photograph. It is the edgy existence within | |
| me of these unmade images that is the only | |
| assurance that the best photographs are yet to | |
| be made. - Sam Abell | |
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