| It is not the language of painters but the | A mad, keen photographer needs to get out |
| language of nature which one should listen to. | into the world and work and make mistakes. |
| . . . The feeling for the things themselves, for | - Sam Abell |
| reality, is more important than the feeling for | |
| pictures. - Vincent Van Gogh | The virtue of the camera is not the power it |
| | has to transform the photographer into an |
| Photography takes an instant out of time, | artist, but the impulse it gives him to keep on |
| altering life by holding it still. - Dorothea | looking. - Brooks Anderson |
| Lange | |
| | My own eyes are no more than scouts on a |
| | preliminary search, for the camera's eye may |
| | entirely change my idea. - Edward |
| | Weston |
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Chicago |
San Francisco |
Los Angeles |
Albany |
Corpus Christi |
Jackson |
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Falmouth |
Jackson |
Merrill |
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Phenix City |
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Hutchinson |
Antioch |
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Elmira |
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| Photography knows how to authenticate its | Sometimes you can tell a large story with a |
| misrepresentations. - Mason Cooley | tiny subject. - Eliot Porter |
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| Photography is a major force in explaining | A room hung with pictures is a room hung with |
| man to man. - Edward Steichen | thoughts. - Sir Joshua Reynolds |
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| Photography records the gamut of feelings | Keep it simple. - Alfred Eienstaedt |
| written on the human face, the beauty of the | |
| earth and skies that man has inherited and the | A good picture is equivalent to a good deed. |
| wealth and confusion man has created. | - Vincent Van Gogh |
| - Edward Steichen | |
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