| The difficulty with color is to go beyond the | I think the best pictures are often on the edges |
| fact that it's color to have it be not just a | of any situation, I don't find photographing the |
| colorful picture but really be a picture about | situation nearly as interesting as |
| something. It's difficult. So often color gets | photographing the edges. - William Albert |
| caught up in color, and it becomes merely | Allard |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | A room hung with pictures is a room hung with |
| color and content; otherwise it is empty. | thoughts. - Sir Joshua Reynolds |
| - Mary Ellen Mark | |
| | No place is boring, if you've had a good |
| | night's sleep and have a pocket full of |
| | unexposed film. - Robert Adams |
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|
Bronx |
Macon |
Gulfport |
Grand Junction |
Hemet |
Reading |
Terre Haute |
Fremont |
Edina |
Sherman Oaks |
Riverside |
Mesquite |
Jackson |
Decatur |
Prescott |
Fresno |
North Charleston |
Birch Run |
Arnold |
Atoka |
Bozeman |
Tewksbury |
Hazard |
Lovelock |
Grand Canyon Natl Park |
New Castle |
Medford |
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| Photography knows how to authenticate its | Photography takes an instant out of time, |
| misrepresentations. - Mason Cooley | altering life by holding it still. - Dorothea |
| | Lange |
| I think you have to have a real point of view | |
| that's your own. You have to tell it your way. | "Simply look with perceptive eyes at the |
| And, I think that it's a mistake to shoot for a | world about you, and trust to your own |
| specific magazine's point of view because it's | reactions and convictions. Ask yourself: |
| never going to be as good. You have to shoot | "Does this subject move me to feel, think |
| for yourself and photograph [the way] you | and dream? Can I visualize a print - my own |
| believe it. - Mary Ellen Mark | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
|