| Memory is very important, the memory of | You learn to see by practice. It's just like |
| each photo taken, flowing at the same speed | playing tennis, you get better the more you |
| as the event. During the work, you have to be | play. The more you look around at things, the |
| sure that you haven't left any holes, that you've | more you see. The more you photograph, the |
| captured everything, because afterwards it will | more you realize what can be photographed |
| be too late. - Henri Cartier Bresson | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
| Photography records the gamut of feelings | |
| written on the human face, the beauty of the | I think the best pictures are often on the edges |
| earth and skies that man has inherited and the | of any situation, I don't find photographing the |
| wealth and confusion man has created. | situation nearly as interesting as |
| - Edward Steichen | photographing the edges. - William Albert |
| | Allard |
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Los Angeles |
Richmond |
Davenport |
Lima |
Jonesboro |
Sherman Oaks |
Concord |
Leesburg |
Anderson |
Niles |
Tempe |
Bethel |
London |
Rehoboth Beach |
Winnsboro |
Vermillion |
Eagan |
Martinez |
Olympia |
Queensbury |
Cumming |
Randolph |
Jasper |
East Hartford |
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| Above all, it's hard learning to live with vivid | My own eyes are no more than scouts on a |
| mental images of scenes I cared for and failed | preliminary search, for the camera's eye may |
| to photograph. It is the edgy existence within | entirely change my idea. - Edward |
| me of these unmade images that is the only | Weston |
| assurance that the best photographs are yet to | |
| be made. - Sam Abell | A mad, keen photographer needs to get out |
| | into the world and work and make mistakes. |
| [Photography] is a way of feeling, of touching, | - Sam Abell |
| of loving. What you have caught on film is | |
| captured forever . . . it remembers little things, | I almost never set out to photograph a |
| long after you have forgotten everything. | landscape, nor do I think of my camera as a |
| - Aaron Siskind | means of recording a mountain or an animal |
| | unless I absolutely need a 'record shot'. My |
| | first thought is always of light. - Galen |
| | Rowell |
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