| Photography is about finding out what can | No place is boring, if you've had a good |
| happen in the frame. When you put four | night's sleep and have a pocket full of |
| edges around some facts, you change those | unexposed film. - Robert Adams |
| facts. - Gary Winogrand | |
| | You can find pictures anywhere. It's simply a |
| Pictures you have taken have an influence on | matter of noticing things and organizing them. |
| those that you are going to make. | You just have to care about what's around you |
| That's life! - John Sexton | and have a concern with humanity and the |
| | human comedy. - Elliott Erwitt |
| I think you have to have a real point of view | |
| that's your own. You have to tell it your way. | |
| And, I think that it's a mistake to shoot for a | |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | |
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Houston |
Los Angeles |
Toledo |
Stuart |
Duluth |
Naples |
Hayward |
Palm Coast |
Irvine |
Burlingame |
Webster |
Kutztown |
Antioch |
Toms River |
Big Spring |
Norwich |
Statesville |
Lancaster |
Wise |
Decatur |
Hartford |
Monticello |
Springdale |
Lakeville |
Barbourville |
Muskegon |
Vallejo |
Arkadelphia |
Sikeston |
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| Once photography enters your bloodstream, | I almost never set out to photograph a |
| it's like a disease. - Anon | landscape, nor do I think of my camera as a |
| | means of recording a mountain or an animal |
| [Photography] is a way of feeling, of touching, | unless I absolutely need a 'record shot'. My |
| of loving. What you have caught on film is | first thought is always of light. - Galen |
| captured forever . . . it remembers little things, | Rowell |
| long after you have forgotten everything. | |
| - Aaron Siskind | The virtue of the camera is not the power it |
| | has to transform the photographer into an |
| Above all, it's hard learning to live with vivid | artist, but the impulse it gives him to keep on |
| mental images of scenes I cared for and failed | looking. - Brooks Anderson |
| to photograph. It is the edgy existence within | |
| me of these unmade images that is the only | |
| assurance that the best photographs are yet to | |
| be made. - Sam Abell | |
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