| Photography knows how to authenticate its | "Simply look with perceptive eyes at the |
| misrepresentations. - Mason Cooley | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| Photography is a major force in explaining | "Does this subject move me to feel, think |
| man to man. - Edward Steichen | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| Photography records the gamut of feelings | convey - from the subject before me?" |
| written on the human face, the beauty of the | - Ansel Adams |
| earth and skies that man has inherited and the | |
| wealth and confusion man has created. | It is not the language of painters but the |
| - Edward Steichen | language of nature which one should listen to. |
| | . . . The feeling for the things themselves, for |
| | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
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| You can find pictures anywhere. It's simply a | My own eyes are no more than scouts on a |
| matter of noticing things and organizing them. | preliminary search, for the camera's eye may |
| You just have to care about what's around you | entirely change my idea. - Edward |
| and have a concern with humanity and the | Weston |
| human comedy. - Elliott Erwitt | |
| | I almost never set out to photograph a |
| A picture is the expression of an impression. If | landscape, nor do I think of my camera as a |
| the beautiful were not in us, how would we | means of recording a mountain or an animal |
| ever recognize it? - Ernst Haas | unless I absolutely need a 'record shot'. My |
| | first thought is always of light. - Galen |
| | Rowell |
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