| The camera makes everyone a tourist in other | Photography knows how to authenticate its |
| people's reality. - Susan Sontag | misrepresentations. - Mason Cooley |
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| The difficulty with color is to go beyond the | Pictures you have taken have an influence on |
| fact that it's color to have it be not just a | those that you are going to make. |
| colorful picture but really be a picture about | That's life! - John Sexton |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | You've got to push yourself harder. You've got |
| decorative. Some photographers use [ it ] | to start looking for pictures nobody else could |
| brilliantly to make visual statements combining | take. You've got to take the tools you have and |
| color and content; otherwise it is empty. | probe deeper. - William Albert Allard |
| - Mary Ellen Mark | |
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| [Photography] is a way of feeling, of touching, | You learn to see by practice. It's just like |
| of loving. What you have caught on film is | playing tennis, you get better the more you |
| captured forever . . . it remembers little things, | play. The more you look around at things, the |
| long after you have forgotten everything. | more you see. The more you photograph, the |
| - Aaron Siskind | more you realize what can be photographed |
| | and what can't be photographed. You just have |
| Photography is my passion. - Alfred | to keep doing it. - Eliot Porter |
| Stieglitz | |
| | I think the best pictures are often on the edges |
| It is not the language of painters but the | of any situation, I don't find photographing the |
| language of nature which one should listen to. | situation nearly as interesting as |
| . . . The feeling for the things themselves, for | photographing the edges. - William Albert |
| reality, is more important than the feeling for | Allard |
| pictures. - Vincent Van Gogh | |
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