| There is nothing worse than a sharp image of | Memory is very important, the memory of |
| a fuzzy concept. - Ansel Adams | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| Now to consult the rules of composition before | sure that you haven't left any holes, that you've |
| making a picture is a little like consulting the | captured everything, because afterwards it will |
| law of gravitation before going for a walk. | be too late. - Henri Cartier Bresson |
| Such rules and laws are deduced from the | |
| accomplished fact; they are the products of | I think you have to have a real point of view |
| reflection . . . - Edward Weston | that's your own. You have to tell it your way. |
| | And, I think that it's a mistake to shoot for a |
| | specific magazine's point of view because it's |
| | never going to be as good. You have to shoot |
| | for yourself and photograph [the way] you |
| | believe it. - Mary Ellen Mark |
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Las Vegas |
Seattle |
Milwaukee |
Omaha |
Detroit |
Huntington Beach |
Rochester |
Davenport |
Orlando |
Columbia |
Sugar Land |
San Jose |
Woodland Hills |
Frankfort |
Braintree |
New Albany |
Middlesboro |
Brattleboro |
North Richland Hills |
Lancaster |
Midvale |
Corvallis |
Mineral Wells |
Whiteville |
Newport |
Chipley |
Auburn |
Providence |
Willoughby |
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| Keep it simple. - Alfred Eienstaedt | The difficulty with color is to go beyond the |
| | fact that it's color to have it be not just a |
| You can find pictures anywhere. It's simply a | colorful picture but really be a picture about |
| matter of noticing things and organizing them. | something. It's difficult. So often color gets |
| You just have to care about what's around you | caught up in color, and it becomes merely |
| and have a concern with humanity and the | decorative. Some photographers use [ it ] |
| human comedy. - Elliott Erwitt | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| A great photograph is one that fully expresses | - Mary Ellen Mark |
| what one feels, in the deepest sense, about | |
| what is being photographed. - Ansel | |
| Adams | |
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