| Memory is very important, the memory of | You can find pictures anywhere. It's simply a |
| each photo taken, flowing at the same speed | matter of noticing things and organizing them. |
| as the event. During the work, you have to be | You just have to care about what's around you |
| sure that you haven't left any holes, that you've | and have a concern with humanity and the |
| captured everything, because afterwards it will | human comedy. - Elliott Erwitt |
| be too late. - Henri Cartier Bresson | |
| | I think the best pictures are often on the edges |
| I think you have to have a real point of view | of any situation, I don't find photographing the |
| that's your own. You have to tell it your way. | situation nearly as interesting as |
| And, I think that it's a mistake to shoot for a | photographing the edges. - William Albert |
| specific magazine's point of view because it's | Allard |
| never going to be as good. You have to shoot | |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | |
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Norfolk |
Augusta |
Durham |
Baltimore |
Boca Raton |
Spring Hill |
Longwood |
Melbourne |
Cheyenne |
Jersey City |
Anaheim |
Wilmington |
Noblesville |
Hobbs |
Cordova |
Montauk |
Worthington |
Dandridge |
North Olmsted |
North Richland Hills |
Catonsville |
Tannersville |
Elkton |
Geneva |
Loganville |
Springerville |
Llano |
Port Wentworth |
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| The difficulty with color is to go beyond the | Photography takes an instant out of time, |
| fact that it's color to have it be not just a | altering life by holding it still. - Dorothea |
| colorful picture but really be a picture about | Lange |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | It is not the language of painters but the |
| decorative. Some photographers use [ it ] | language of nature which one should listen to. |
| brilliantly to make visual statements combining | . . . The feeling for the things themselves, for |
| color and content; otherwise it is empty. | reality, is more important than the feeling for |
| - Mary Ellen Mark | pictures. - Vincent Van Gogh |
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