| Photography is about finding out what can | There is nothing worse than a sharp image of |
| happen in the frame. When you put four | a fuzzy concept. - Ansel Adams |
| edges around some facts, you change those | |
| facts. - Gary Winogrand | Once photography enters your bloodstream, |
| | it's like a disease. - Anon |
| Memory is very important, the memory of | |
| each photo taken, flowing at the same speed | Above all, it's hard learning to live with vivid |
| as the event. During the work, you have to be | mental images of scenes I cared for and failed |
| sure that you haven't left any holes, that you've | to photograph. It is the edgy existence within |
| captured everything, because afterwards it will | me of these unmade images that is the only |
| be too late. - Henri Cartier Bresson | assurance that the best photographs are yet to |
| | be made. - Sam Abell |
|
|
Miami |
Brooklyn |
San Jose |
Omaha |
Oakland |
Mesa |
Durham |
Salt Lake City |
Oklahoma City |
Overland Park |
Cape Girardeau |
Seneca |
Ocean City |
Bayside |
Jasper |
Shelton |
Santa Ana |
Merced |
Westmont |
Ashland |
Moreno Valley |
Effingham |
West Seneca |
|
|
| A mad, keen photographer needs to get out | A good picture is equivalent to a good deed. |
| into the world and work and make mistakes. | - Vincent Van Gogh |
| - Sam Abell | |
| | You can find pictures anywhere. It's simply a |
| My own eyes are no more than scouts on a | matter of noticing things and organizing them. |
| preliminary search, for the camera's eye may | You just have to care about what's around you |
| entirely change my idea. - Edward | and have a concern with humanity and the |
| Weston | human comedy. - Elliott Erwitt |
| | |
| The difficulty with color is to go beyond the | A great photograph is one that fully expresses |
| fact that it's color to have it be not just a | what one feels, in the deepest sense, about |
| colorful picture but really be a picture about | what is being photographed. - Ansel |
| something. It's difficult. So often color gets | Adams |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
|