| Sometimes you can tell a large story with a | One should really use the camera as though |
| tiny subject. - Eliot Porter | tomorrow you'd be stricken blind. |
| | - Dorothea Lange |
| Keep it simple. - Alfred Eienstaedt | |
| | The difficulty with color is to go beyond the |
| You learn to see by practice. It's just like | fact that it's color to have it be not just a |
| playing tennis, you get better the more you | colorful picture but really be a picture about |
| play. The more you look around at things, the | something. It's difficult. So often color gets |
| more you see. The more you photograph, the | caught up in color, and it becomes merely |
| more you realize what can be photographed | decorative. Some photographers use [ it ] |
| and what can't be photographed. You just have | brilliantly to make visual statements combining |
| to keep doing it. - Eliot Porter | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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Los Angeles |
Portland |
Sioux Falls |
Springfield |
Farmington |
Mount Laurel |
Fond Du Lac |
Elyria |
Georgetown |
Monahans |
Mount Dora |
Peachtree City |
Bradenton |
Liberty |
London |
College Park |
Albany |
Carpinteria |
Estes Park |
Savage |
Lisle |
Richmond |
Monterey |
Decatur |
Frederick |
Novi |
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| Photography knows how to authenticate its | Above all, it's hard learning to live with vivid |
| misrepresentations. - Mason Cooley | mental images of scenes I cared for and failed |
| | to photograph. It is the edgy existence within |
| You've got to push yourself harder. You've got | me of these unmade images that is the only |
| to start looking for pictures nobody else could | assurance that the best photographs are yet to |
| take. You've got to take the tools you have and | be made. - Sam Abell |
| probe deeper. - William Albert Allard | |
| | Photography takes an instant out of time, |
| Photography records the gamut of feelings | altering life by holding it still. - Dorothea |
| written on the human face, the beauty of the | Lange |
| earth and skies that man has inherited and the | |
| wealth and confusion man has created. | |
| - Edward Steichen | |
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