| Now to consult the rules of composition before | Photography records the gamut of feelings |
| making a picture is a little like consulting the | written on the human face, the beauty of the |
| law of gravitation before going for a walk. | earth and skies that man has inherited and the |
| Such rules and laws are deduced from the | wealth and confusion man has created. |
| accomplished fact; they are the products of | - Edward Steichen |
| reflection . . . - Edward Weston | |
| | Photography is a major force in explaining |
| Above all, it's hard learning to live with vivid | man to man. - Edward Steichen |
| mental images of scenes I cared for and failed | |
| to photograph. It is the edgy existence within | ...words and pictures can work together to |
| me of these unmade images that is the only | communicate more powerfully than either |
| assurance that the best photographs are yet to | alone. -William Albert Allard |
| be made. - Sam Abell | |
|
|
New York |
Tampa |
Boca Raton |
Albany |
Charleston |
Abilene |
Erie |
The Woodlands |
Floral Park |
Norman |
Valparaiso |
Victoria |
Parsippany |
Hamilton |
Culver City |
Princeton |
Northville |
Jensen Beach |
Chestertown |
Childersburg |
Reidsville |
Markle |
Rhinelander |
Grand Rivers |
|
|
| A picture is the expression of an impression. If | My own eyes are no more than scouts on a |
| the beautiful were not in us, how would we | preliminary search, for the camera's eye may |
| ever recognize it? - Ernst Haas | entirely change my idea. - Edward |
| | Weston |
| I think the best pictures are often on the edges | |
| of any situation, I don't find photographing the | The virtue of the camera is not the power it |
| situation nearly as interesting as | has to transform the photographer into an |
| photographing the edges. - William Albert | artist, but the impulse it gives him to keep on |
| Allard | looking. - Brooks Anderson |
|