| I think you have to have a real point of view | A good picture is equivalent to a good deed. |
| that's your own. You have to tell it your way. | - Vincent Van Gogh |
| And, I think that it's a mistake to shoot for a | |
| specific magazine's point of view because it's | A room hung with pictures is a room hung with |
| never going to be as good. You have to shoot | thoughts. - Sir Joshua Reynolds |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | I think the best pictures are often on the edges |
| | of any situation, I don't find photographing the |
| Memory is very important, the memory of | situation nearly as interesting as |
| each photo taken, flowing at the same speed | photographing the edges. - William Albert |
| as the event. During the work, you have to be | Allard |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | |
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| It is not the language of painters but the | The difficulty with color is to go beyond the |
| language of nature which one should listen to. | fact that it's color to have it be not just a |
| . . . The feeling for the things themselves, for | colorful picture but really be a picture about |
| reality, is more important than the feeling for | something. It's difficult. So often color gets |
| pictures. - Vincent Van Gogh | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| Once photography enters your bloodstream, | brilliantly to make visual statements combining |
| it's like a disease. - Anon | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
| There is nothing worse than a sharp image of | |
| a fuzzy concept. - Ansel Adams | |
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