| Memory is very important, the memory of | You can find pictures anywhere. It's simply a |
| each photo taken, flowing at the same speed | matter of noticing things and organizing them. |
| as the event. During the work, you have to be | You just have to care about what's around you |
| sure that you haven't left any holes, that you've | and have a concern with humanity and the |
| captured everything, because afterwards it will | human comedy. - Elliott Erwitt |
| be too late. - Henri Cartier Bresson | |
| | A room hung with pictures is a room hung with |
| Photography is about finding out what can | thoughts. - Sir Joshua Reynolds |
| happen in the frame. When you put four | |
| edges around some facts, you change those | A picture is the expression of an impression. If |
| facts. - Gary Winogrand | the beautiful were not in us, how would we |
| | ever recognize it? - Ernst Haas |
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Richmond |
Savannah |
Troy |
Hayward |
La Mesa |
Monterey |
Augusta |
New Bern |
Davis |
Celina |
Coopersburg |
Renton |
Lima |
Mount Vernon |
Oswego |
Georgetown |
Anaheim |
Gastonia |
Picayune |
Philadelphia |
Weaverville |
Ainsworth |
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| Once photography enters your bloodstream, | I almost never set out to photograph a |
| it's like a disease. - Anon | landscape, nor do I think of my camera as a |
| | means of recording a mountain or an animal |
| "Simply look with perceptive eyes at the | unless I absolutely need a 'record shot'. My |
| world about you, and trust to your own | first thought is always of light. - Galen |
| reactions and convictions. Ask yourself: | Rowell |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | The virtue of the camera is not the power it |
| personal statement of what I feel and want to | has to transform the photographer into an |
| convey - from the subject before me?" | artist, but the impulse it gives him to keep on |
| - Ansel Adams | looking. - Brooks Anderson |
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