| It is not the language of painters but the | Memory is very important, the memory of |
| language of nature which one should listen to. | each photo taken, flowing at the same speed |
| . . . The feeling for the things themselves, for | as the event. During the work, you have to be |
| reality, is more important than the feeling for | sure that you haven't left any holes, that you've |
| pictures. - Vincent Van Gogh | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
| Photography is my passion. - Alfred | |
| Stieglitz | I think you have to have a real point of view |
| | that's your own. You have to tell it your way. |
| Photography takes an instant out of time, | And, I think that it's a mistake to shoot for a |
| altering life by holding it still. - Dorothea | specific magazine's point of view because it's |
| Lange | never going to be as good. You have to shoot |
| | for yourself and photograph [the way] you |
| | believe it. - Mary Ellen Mark |
|
|
Brooklyn |
Philadelphia |
Richmond |
Clarksville |
Los Angeles |
Lafayette |
Glendale |
Whittier |
Waycross |
Apex |
Jamesburg |
Ames |
Arkadelphia |
Brenham |
Valley |
Attalla |
Portsmouth |
Solvang |
Sallisaw |
Sanford |
Siler City |
Ukiah |
Forrest City |
Onalaska |
Paxton |
|
|
| The camera makes everyone a tourist in other | A picture is the expression of an impression. If |
| people's reality. - Susan Sontag | the beautiful were not in us, how would we |
| | ever recognize it? - Ernst Haas |
| One should really use the camera as though | |
| tomorrow you'd be stricken blind. | Keep it simple. - Alfred Eienstaedt |
| - Dorothea Lange | |
| | A good picture is equivalent to a good deed. |
| The difficulty with color is to go beyond the | - Vincent Van Gogh |
| fact that it's color to have it be not just a | |
| colorful picture but really be a picture about | No place is boring, if you've had a good |
| something. It's difficult. So often color gets | night's sleep and have a pocket full of |
| caught up in color, and it becomes merely | unexposed film. - Robert Adams |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
|