| Pictures you have taken have an influence on | A picture is the expression of an impression. If |
| those that you are going to make. | the beautiful were not in us, how would we |
| That's life! - John Sexton | ever recognize it? - Ernst Haas |
| | |
| ...words and pictures can work together to | I think the best pictures are often on the edges |
| communicate more powerfully than either | of any situation, I don't find photographing the |
| alone. -William Albert Allard | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| You've got to push yourself harder. You've got | Allard |
| to start looking for pictures nobody else could | |
| take. You've got to take the tools you have and | |
| probe deeper. - William Albert Allard | |
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Phoenix |
Tucson |
Columbus |
Tulsa |
Durham |
Broken Arrow |
Westminster |
Goshen |
Fountain Valley |
Ojai |
Galveston |
Franklin |
Colton |
Juno Beach |
Melrose Park |
Guymon |
Roland |
Lima |
Newburgh |
Ranger |
College Station |
O Fallon |
Fairview (Erie) |
Thief River Falls |
Crete |
Maitland |
Tewksbury |
Saukville |
Radford |
Hendersonville |
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| The difficulty with color is to go beyond the | "Simply look with perceptive eyes at the |
| fact that it's color to have it be not just a | world about you, and trust to your own |
| colorful picture but really be a picture about | reactions and convictions. Ask yourself: |
| something. It's difficult. So often color gets | "Does this subject move me to feel, think |
| caught up in color, and it becomes merely | and dream? Can I visualize a print - my own |
| decorative. Some photographers use [ it ] | personal statement of what I feel and want to |
| brilliantly to make visual statements combining | convey - from the subject before me?" |
| color and content; otherwise it is empty. | - Ansel Adams |
| - Mary Ellen Mark | |
| | Photography takes an instant out of time, |
| | altering life by holding it still. - Dorothea |
| | Lange |
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