| It is not the language of painters but the | One should really use the camera as though |
| language of nature which one should listen to. | tomorrow you'd be stricken blind. |
| . . . The feeling for the things themselves, for | - Dorothea Lange |
| reality, is more important than the feeling for | |
| pictures. - Vincent Van Gogh | The difficulty with color is to go beyond the |
| | fact that it's color to have it be not just a |
| Once photography enters your bloodstream, | colorful picture but really be a picture about |
| it's like a disease. - Anon | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| Photography takes an instant out of time, | decorative. Some photographers use [ it ] |
| altering life by holding it still. - Dorothea | brilliantly to make visual statements combining |
| Lange | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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San Antonio |
Rochester |
Philadelphia |
Austin |
Vancouver |
Cleveland |
Houma |
Rockville |
Danville |
Charleston |
Shreveport |
Hemet |
Merrill |
Gaylord |
Hendersonville |
Booneville |
Durham |
Albuquerque |
Mansfield |
Miami Beach North |
Belen |
Paradise |
Green Bay |
Wellesley |
Birmingham Detroit |
Gainesville |
Millersburg |
Sturgeon Bay |
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| I think the best pictures are often on the edges | You've got to push yourself harder. You've got |
| of any situation, I don't find photographing the | to start looking for pictures nobody else could |
| situation nearly as interesting as | take. You've got to take the tools you have and |
| photographing the edges. - William Albert | probe deeper. - William Albert Allard |
| Allard | |
| | Photography records the gamut of feelings |
| A great photograph is one that fully expresses | written on the human face, the beauty of the |
| what one feels, in the deepest sense, about | earth and skies that man has inherited and the |
| what is being photographed. - Ansel | wealth and confusion man has created. |
| Adams | - Edward Steichen |
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