| A great photograph is one that fully expresses | Memory is very important, the memory of |
| what one feels, in the deepest sense, about | each photo taken, flowing at the same speed |
| what is being photographed. - Ansel | as the event. During the work, you have to be |
| Adams | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| I think the best pictures are often on the edges | be too late. - Henri Cartier Bresson |
| of any situation, I don't find photographing the | |
| situation nearly as interesting as | You've got to push yourself harder. You've got |
| photographing the edges. - William Albert | to start looking for pictures nobody else could |
| Allard | take. You've got to take the tools you have and |
| | probe deeper. - William Albert Allard |
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San Diego |
Indianapolis |
Vancouver |
Honolulu |
Lowell |
Paris |
Newport |
Waukesha |
Latrobe |
Cabot |
Falmouth |
Evergreen |
Malvern |
Gautier |
Daphne |
Newton |
Hasbrouck Heights |
Bakersfield |
Chesapeake |
Mount Vernon |
Larned |
Manheim |
Paducah |
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| One should really use the camera as though | It is not the language of painters but the |
| tomorrow you'd be stricken blind. | language of nature which one should listen to. |
| - Dorothea Lange | . . . The feeling for the things themselves, for |
| | reality, is more important than the feeling for |
| I almost never set out to photograph a | pictures. - Vincent Van Gogh |
| landscape, nor do I think of my camera as a | |
| means of recording a mountain or an animal | [Photography] is a way of feeling, of touching, |
| unless I absolutely need a 'record shot'. My | of loving. What you have caught on film is |
| first thought is always of light. - Galen | captured forever . . . it remembers little things, |
| Rowell | long after you have forgotten everything. |
| | - Aaron Siskind |
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