| Keep it simple. - Alfred Eienstaedt | My own eyes are no more than scouts on a |
| | preliminary search, for the camera's eye may |
| I think the best pictures are often on the edges | entirely change my idea. - Edward |
| of any situation, I don't find photographing the | Weston |
| situation nearly as interesting as | |
| photographing the edges. - William Albert | The camera makes everyone a tourist in other |
| Allard | people's reality. - Susan Sontag |
| | |
| You can find pictures anywhere. It's simply a | The difficulty with color is to go beyond the |
| matter of noticing things and organizing them. | fact that it's color to have it be not just a |
| You just have to care about what's around you | colorful picture but really be a picture about |
| and have a concern with humanity and the | something. It's difficult. So often color gets |
| human comedy. - Elliott Erwitt | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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Brooklyn |
Chicago |
Atlanta |
Philadelphia |
Dallas |
Denver |
Anchorage |
Durham |
Norwalk |
Florence |
Whiteville |
Lafayette |
West Chester |
Kingsport |
Clarksville |
Manchester |
Blaine |
Union City |
Monroe |
South Hill |
Pella |
West Memphis |
Sun City Center |
Danielson |
Cape May |
Riverhead |
Livonia |
Malden |
Crisfield |
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| "Simply look with perceptive eyes at the | Pictures you have taken have an influence on |
| world about you, and trust to your own | those that you are going to make. |
| reactions and convictions. Ask yourself: | That's life! - John Sexton |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | Memory is very important, the memory of |
| personal statement of what I feel and want to | each photo taken, flowing at the same speed |
| convey - from the subject before me?" | as the event. During the work, you have to be |
| - Ansel Adams | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| It is not the language of painters but the | be too late. - Henri Cartier Bresson |
| language of nature which one should listen to. | |
| . . . The feeling for the things themselves, for | |
| reality, is more important than the feeling for | |
| pictures. - Vincent Van Gogh | |
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