| Photography knows how to authenticate its | There is nothing worse than a sharp image of |
| misrepresentations. - Mason Cooley | a fuzzy concept. - Ansel Adams |
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| I think you have to have a real point of view | "Simply look with perceptive eyes at the |
| that's your own. You have to tell it your way. | world about you, and trust to your own |
| And, I think that it's a mistake to shoot for a | reactions and convictions. Ask yourself: |
| specific magazine's point of view because it's | "Does this subject move me to feel, think |
| never going to be as good. You have to shoot | and dream? Can I visualize a print - my own |
| for yourself and photograph [the way] you | personal statement of what I feel and want to |
| believe it. - Mary Ellen Mark | convey - from the subject before me?" |
| | - Ansel Adams |
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Baltimore |
Louisville |
Fresno |
Melbourne |
Sunrise |
Warren |
Spring Hill |
Beaver Falls |
Canton |
Elk City |
Trumbull |
Hoffman Estates |
Sevierville |
Eugene |
Moorhead |
Van Buren |
Fairfield |
Middleboro |
Clearfield |
Birch Run |
Clawson |
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| One should really use the camera as though | Sometimes you can tell a large story with a |
| tomorrow you'd be stricken blind. | tiny subject. - Eliot Porter |
| - Dorothea Lange | |
| | A picture is the expression of an impression. If |
| Photography suits the temper of this ageof | the beautiful were not in us, how would we |
| active bodies and minds. It is a perfect | ever recognize it? - Ernst Haas |
| medium for one whose mind is teeming with | |
| ideas, imagery, for a prolific worker who | A room hung with pictures is a room hung with |
| would be slowed down by painting or | thoughts. - Sir Joshua Reynolds |
| sculpting, for one who sees quickly and acts | |
| decisively, accurately. - Edward Weston | |
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