| A room hung with pictures is a room hung with | Photography is a major force in explaining |
| thoughts. - Sir Joshua Reynolds | man to man. - Edward Steichen |
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| You learn to see by practice. It's just like | Memory is very important, the memory of |
| playing tennis, you get better the more you | each photo taken, flowing at the same speed |
| play. The more you look around at things, the | as the event. During the work, you have to be |
| more you see. The more you photograph, the | sure that you haven't left any holes, that you've |
| more you realize what can be photographed | captured everything, because afterwards it will |
| and what can't be photographed. You just have | be too late. - Henri Cartier Bresson |
| to keep doing it. - Eliot Porter | |
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Raleigh |
Las Vegas |
Fort Wayne |
Longview |
Warren |
Greensburg |
Key West |
Oxnard |
New Britain |
Tamarac |
Chambersburg |
Center |
Live Oak |
Waldorf |
Seneca |
Indiana |
Sturgis |
Columbus |
St. Louis |
Pacifica |
Niantic |
Mansfield |
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| It is not the language of painters but the | The difficulty with color is to go beyond the |
| language of nature which one should listen to. | fact that it's color to have it be not just a |
| . . . The feeling for the things themselves, for | colorful picture but really be a picture about |
| reality, is more important than the feeling for | something. It's difficult. So often color gets |
| pictures. - Vincent Van Gogh | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| There is nothing worse than a sharp image of | brilliantly to make visual statements combining |
| a fuzzy concept. - Ansel Adams | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
| Photography takes an instant out of time, | |
| altering life by holding it still. - Dorothea | |
| Lange | |
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