| Memory is very important, the memory of | A room hung with pictures is a room hung with |
| each photo taken, flowing at the same speed | thoughts. - Sir Joshua Reynolds |
| as the event. During the work, you have to be | |
| sure that you haven't left any holes, that you've | Keep it simple. - Alfred Eienstaedt |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | Sometimes you can tell a large story with a |
| | tiny subject. - Eliot Porter |
| Photography knows how to authenticate its | |
| misrepresentations. - Mason Cooley | A picture is the expression of an impression. If |
| | the beautiful were not in us, how would we |
| | ever recognize it? - Ernst Haas |
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Chicago |
Houston |
Detroit |
Mesa |
Arlington |
Orange Park |
Stamford |
Salisbury |
Southington |
Portland |
Roswell |
Janesville |
San Bernardino |
Brea |
Lawrence |
Floresville |
Winchester |
St. Croix Falls |
Cinnaminson |
La Pine |
Sacramento |
Oconomowoc |
Venice |
Marshall |
Batesville |
Sterling Heights |
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| Photography suits the temper of this ageof | [Photography] is a way of feeling, of touching, |
| active bodies and minds. It is a perfect | of loving. What you have caught on film is |
| medium for one whose mind is teeming with | captured forever . . . it remembers little things, |
| ideas, imagery, for a prolific worker who | long after you have forgotten everything. |
| would be slowed down by painting or | - Aaron Siskind |
| sculpting, for one who sees quickly and acts | |
| decisively, accurately. - Edward Weston | It is not the language of painters but the |
| | language of nature which one should listen to. |
| A mad, keen photographer needs to get out | . . . The feeling for the things themselves, for |
| into the world and work and make mistakes. | reality, is more important than the feeling for |
| - Sam Abell | pictures. - Vincent Van Gogh |
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