| A mad, keen photographer needs to get out | It is not the language of painters but the |
| into the world and work and make mistakes. | language of nature which one should listen to. |
| - Sam Abell | . . . The feeling for the things themselves, for |
| | reality, is more important than the feeling for |
| The difficulty with color is to go beyond the | pictures. - Vincent Van Gogh |
| fact that it's color to have it be not just a | |
| colorful picture but really be a picture about | [Photography] is a way of feeling, of touching, |
| something. It's difficult. So often color gets | of loving. What you have caught on film is |
| caught up in color, and it becomes merely | captured forever . . . it remembers little things, |
| decorative. Some photographers use [ it ] | long after you have forgotten everything. |
| brilliantly to make visual statements combining | - Aaron Siskind |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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New York |
Houston |
Washington |
Cedar Rapids |
Los Angeles |
Annapolis |
Jonesboro |
Warrensburg |
Sealy |
Middletown |
Midland |
Maple Grove |
Blue Springs |
Oshkosh |
Panama City Beach |
Danville |
Studio City |
Sonora |
Allen |
Moody |
Avon Park |
Fort Mitchell |
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| I think you have to have a real point of view | No place is boring, if you've had a good |
| that's your own. You have to tell it your way. | night's sleep and have a pocket full of |
| And, I think that it's a mistake to shoot for a | unexposed film. - Robert Adams |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | I think the best pictures are often on the edges |
| for yourself and photograph [the way] you | of any situation, I don't find photographing the |
| believe it. - Mary Ellen Mark | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| You've got to push yourself harder. You've got | Allard |
| to start looking for pictures nobody else could | |
| take. You've got to take the tools you have and | |
| probe deeper. - William Albert Allard | |
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