| Sometimes you can tell a large story with a | "Simply look with perceptive eyes at the |
| tiny subject. - Eliot Porter | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| You can find pictures anywhere. It's simply a | "Does this subject move me to feel, think |
| matter of noticing things and organizing them. | and dream? Can I visualize a print - my own |
| You just have to care about what's around you | personal statement of what I feel and want to |
| and have a concern with humanity and the | convey - from the subject before me?" |
| human comedy. - Elliott Erwitt | - Ansel Adams |
| | |
| A picture is the expression of an impression. If | [Photography] is a way of feeling, of touching, |
| the beautiful were not in us, how would we | of loving. What you have caught on film is |
| ever recognize it? - Ernst Haas | captured forever . . . it remembers little things, |
| | long after you have forgotten everything. |
| | - Aaron Siskind |
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Miami |
Fresno |
Tallahassee |
Warren |
Cincinnati |
Providence |
Des Moines |
Scranton |
Escondido |
Vidalia |
Orange Park |
Danville |
Buffalo Grove |
Jensen Beach |
Deer Park |
Covington |
Marshall |
Reedsburg |
Batavia |
Santa Barbara |
Ridgeway |
Mchenry |
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| The virtue of the camera is not the power it | Pictures you have taken have an influence on |
| has to transform the photographer into an | those that you are going to make. |
| artist, but the impulse it gives him to keep on | That's life! - John Sexton |
| looking. - Brooks Anderson | |
| | Memory is very important, the memory of |
| The camera makes everyone a tourist in other | each photo taken, flowing at the same speed |
| people's reality. - Susan Sontag | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| Photography suits the temper of this ageof | captured everything, because afterwards it will |
| active bodies and minds. It is a perfect | be too late. - Henri Cartier Bresson |
| medium for one whose mind is teeming with | |
| ideas, imagery, for a prolific worker who | |
| would be slowed down by painting or | |
| sculpting, for one who sees quickly and acts | |
| decisively, accurately. - Edward Weston | |
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