| No place is boring, if you've had a good | One should really use the camera as though |
| night's sleep and have a pocket full of | tomorrow you'd be stricken blind. |
| unexposed film. - Robert Adams | - Dorothea Lange |
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| A picture is the expression of an impression. If | The virtue of the camera is not the power it |
| the beautiful were not in us, how would we | has to transform the photographer into an |
| ever recognize it? - Ernst Haas | artist, but the impulse it gives him to keep on |
| | looking. - Brooks Anderson |
| A great photograph is one that fully expresses | |
| what one feels, in the deepest sense, about | My own eyes are no more than scouts on a |
| what is being photographed. - Ansel | preliminary search, for the camera's eye may |
| Adams | entirely change my idea. - Edward |
| | Weston |
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Los Angeles |
San Francisco |
Phoenix |
San Antonio |
Tyler |
Johnstown |
Grand Prairie |
Vineland |
Westbury |
Lexington |
Greenwood |
Storm Lake |
Conway |
Yonkers |
North Ridgeville |
Southfield |
Hollywood |
Chapmanville |
Conshohocken |
Port Jefferson |
Falls Church |
Madison |
Nicholasville |
Williamsville |
Lake City |
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| Memory is very important, the memory of | Above all, it's hard learning to live with vivid |
| each photo taken, flowing at the same speed | mental images of scenes I cared for and failed |
| as the event. During the work, you have to be | to photograph. It is the edgy existence within |
| sure that you haven't left any holes, that you've | me of these unmade images that is the only |
| captured everything, because afterwards it will | assurance that the best photographs are yet to |
| be too late. - Henri Cartier Bresson | be made. - Sam Abell |
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| Photography is a major force in explaining | It is not the language of painters but the |
| man to man. - Edward Steichen | language of nature which one should listen to. |
| | . . . The feeling for the things themselves, for |
| | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
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