| Photography records the gamut of feelings | No place is boring, if you've had a good |
| written on the human face, the beauty of the | night's sleep and have a pocket full of |
| earth and skies that man has inherited and the | unexposed film. - Robert Adams |
| wealth and confusion man has created. | |
| - Edward Steichen | Sometimes you can tell a large story with a |
| | tiny subject. - Eliot Porter |
| Memory is very important, the memory of | |
| each photo taken, flowing at the same speed | A good picture is equivalent to a good deed. |
| as the event. During the work, you have to be | - Vincent Van Gogh |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | |
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New York |
Los Angeles |
Corpus Christi |
Cincinnati |
Naples |
Montgomery |
Lincoln |
Las Cruces |
Independence |
Monroe |
Gallatin |
Orange Park |
Meridian |
Bradenton |
Worthington |
Absecon |
Kingston |
Mount Pleasant |
Newberry |
Nephi |
Vernal |
Sutton |
Wilkes Barre |
Boscobel |
Enterprise |
Stanton |
Poipu Beach, Kauai |
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| A mad, keen photographer needs to get out | "Simply look with perceptive eyes at the |
| into the world and work and make mistakes. | world about you, and trust to your own |
| - Sam Abell | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| The virtue of the camera is not the power it | and dream? Can I visualize a print - my own |
| has to transform the photographer into an | personal statement of what I feel and want to |
| artist, but the impulse it gives him to keep on | convey - from the subject before me?" |
| looking. - Brooks Anderson | - Ansel Adams |
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| One should really use the camera as though | Photography is my passion. - Alfred |
| tomorrow you'd be stricken blind. | Stieglitz |
| - Dorothea Lange | |
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