| Photography suits the temper of this ageof | A room hung with pictures is a room hung with |
| active bodies and minds. It is a perfect | thoughts. - Sir Joshua Reynolds |
| medium for one whose mind is teeming with | |
| ideas, imagery, for a prolific worker who | You learn to see by practice. It's just like |
| would be slowed down by painting or | playing tennis, you get better the more you |
| sculpting, for one who sees quickly and acts | play. The more you look around at things, the |
| decisively, accurately. - Edward Weston | more you see. The more you photograph, the |
| | more you realize what can be photographed |
| One should really use the camera as though | and what can't be photographed. You just have |
| tomorrow you'd be stricken blind. | to keep doing it. - Eliot Porter |
| - Dorothea Lange | |
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Brooklyn |
Tucson |
San Diego |
San Francisco |
Yonkers |
Shreveport |
North Canton |
Worcester |
Milford |
Kingman |
Moulton |
Fayetteville |
Jeffersonville |
West Plains |
Homosassa |
Brea |
Baker |
Enterprise |
Truth Or Consequences |
Traverse City |
Summit |
Clinton |
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| Memory is very important, the memory of | Photography takes an instant out of time, |
| each photo taken, flowing at the same speed | altering life by holding it still. - Dorothea |
| as the event. During the work, you have to be | Lange |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | There is nothing worse than a sharp image of |
| be too late. - Henri Cartier Bresson | a fuzzy concept. - Ansel Adams |
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| Pictures you have taken have an influence on | It is not the language of painters but the |
| those that you are going to make. | language of nature which one should listen to. |
| That's life! - John Sexton | . . . The feeling for the things themselves, for |
| | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
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