| My own eyes are no more than scouts on a | Keep it simple. - Alfred Eienstaedt |
| preliminary search, for the camera's eye may | |
| entirely change my idea. - Edward | A picture is the expression of an impression. If |
| Weston | the beautiful were not in us, how would we |
| | ever recognize it? - Ernst Haas |
| One should really use the camera as though | |
| tomorrow you'd be stricken blind. | A great photograph is one that fully expresses |
| - Dorothea Lange | what one feels, in the deepest sense, about |
| | what is being photographed. - Ansel |
| The camera makes everyone a tourist in other | Adams |
| people's reality. - Susan Sontag | |
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New York |
San Antonio |
St. Louis |
Brooklyn |
Durham |
Lexington |
Tacoma |
Virginia Beach |
Minneapolis |
Dayton |
Mount Kisco |
London |
Sudbury |
Johnston |
Kernersville |
Austin |
Cathedral City |
Palm Springs |
Kanab |
Front Royal |
Moberly |
Fowlerville |
Butte |
Bedford |
Danbury |
Newton |
Allen Park |
Moline |
San Carlos |
Keystone |
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| "Simply look with perceptive eyes at the | ...words and pictures can work together to |
| world about you, and trust to your own | communicate more powerfully than either |
| reactions and convictions. Ask yourself: | alone. -William Albert Allard |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | Photography knows how to authenticate its |
| personal statement of what I feel and want to | misrepresentations. - Mason Cooley |
| convey - from the subject before me?" | |
| - Ansel Adams | Memory is very important, the memory of |
| | each photo taken, flowing at the same speed |
| There is nothing worse than a sharp image of | as the event. During the work, you have to be |
| a fuzzy concept. - Ansel Adams | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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