| Photography is about finding out what can | I almost never set out to photograph a |
| happen in the frame. When you put four | landscape, nor do I think of my camera as a |
| edges around some facts, you change those | means of recording a mountain or an animal |
| facts. - Gary Winogrand | unless I absolutely need a 'record shot'. My |
| | first thought is always of light. - Galen |
| You've got to push yourself harder. You've got | Rowell |
| to start looking for pictures nobody else could | |
| take. You've got to take the tools you have and | One should really use the camera as though |
| probe deeper. - William Albert Allard | tomorrow you'd be stricken blind. |
| | - Dorothea Lange |
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New York |
Chicago |
Birmingham |
Tucson |
Louisville |
Bradenton |
Thornton |
Vallejo |
Jackson |
Holland |
Trinidad |
Corvallis |
Jacksonville |
Jefferson |
Eden |
Alexander City |
Robinson |
Fernley |
West Allis |
Naples |
Astoria |
Moorhead |
Ypsilanti |
Stratford |
Bonham |
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| [Photography] is a way of feeling, of touching, | No place is boring, if you've had a good |
| of loving. What you have caught on film is | night's sleep and have a pocket full of |
| captured forever . . . it remembers little things, | unexposed film. - Robert Adams |
| long after you have forgotten everything. | |
| - Aaron Siskind | A picture is the expression of an impression. If |
| | the beautiful were not in us, how would we |
| There is nothing worse than a sharp image of | ever recognize it? - Ernst Haas |
| a fuzzy concept. - Ansel Adams | |
| | Keep it simple. - Alfred Eienstaedt |
| "Simply look with perceptive eyes at the | |
| world about you, and trust to your own | |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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