| You can find pictures anywhere. It's simply a | The virtue of the camera is not the power it |
| matter of noticing things and organizing them. | has to transform the photographer into an |
| You just have to care about what's around you | artist, but the impulse it gives him to keep on |
| and have a concern with humanity and the | looking. - Brooks Anderson |
| human comedy. - Elliott Erwitt | |
| | One should really use the camera as though |
| A picture is the expression of an impression. If | tomorrow you'd be stricken blind. |
| the beautiful were not in us, how would we | - Dorothea Lange |
| ever recognize it? - Ernst Haas | |
| | A mad, keen photographer needs to get out |
| | into the world and work and make mistakes. |
| | - Sam Abell |
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Los Angeles |
New York |
Louisville |
Gaithersburg |
Santa Clara |
Yorba Linda |
Franklin |
Miami |
Lakewood |
Gulfport |
Lexington |
Crossville |
Bellflower |
Clute |
Edmond |
Tallahassee |
Kalkaska |
Ville Platte |
Ranchester |
Saugus |
Williamstown |
Au Gres |
Weatherford |
Lionville |
Steamboat Springs Hilltop |
San Juan Capistrano |
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| "Simply look with perceptive eyes at the | You've got to push yourself harder. You've got |
| world about you, and trust to your own | to start looking for pictures nobody else could |
| reactions and convictions. Ask yourself: | take. You've got to take the tools you have and |
| "Does this subject move me to feel, think | probe deeper. - William Albert Allard |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | ...words and pictures can work together to |
| convey - from the subject before me?" | communicate more powerfully than either |
| - Ansel Adams | alone. -William Albert Allard |
| | |
| Now to consult the rules of composition before | Photography knows how to authenticate its |
| making a picture is a little like consulting the | misrepresentations. - Mason Cooley |
| law of gravitation before going for a walk. | |
| Such rules and laws are deduced from the | |
| accomplished fact; they are the products of | |
| reflection . . . - Edward Weston | |
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