| You can find pictures anywhere. It's simply a | "Simply look with perceptive eyes at the |
| matter of noticing things and organizing them. | world about you, and trust to your own |
| You just have to care about what's around you | reactions and convictions. Ask yourself: |
| and have a concern with humanity and the | "Does this subject move me to feel, think |
| human comedy. - Elliott Erwitt | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| Keep it simple. - Alfred Eienstaedt | convey - from the subject before me?" |
| | - Ansel Adams |
| Sometimes you can tell a large story with a | |
| tiny subject. - Eliot Porter | Once photography enters your bloodstream, |
| | it's like a disease. - Anon |
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Brooklyn |
San Diego |
Bronx |
Albany |
Gainesville |
Boise |
Kingsport |
Milwaukee |
Silver Spring |
Hialeah |
Longboat Key |
Columbia |
Buffalo Grove |
Lebanon |
Atlanta |
Circleville |
Rice Lake |
Madison |
Poulsbo |
Fort Wayne |
Salem |
Hudson |
Spokane |
Brevard |
Rogers |
Ehrenberg |
La Palma |
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| The difficulty with color is to go beyond the | Memory is very important, the memory of |
| fact that it's color to have it be not just a | each photo taken, flowing at the same speed |
| colorful picture but really be a picture about | as the event. During the work, you have to be |
| something. It's difficult. So often color gets | sure that you haven't left any holes, that you've |
| caught up in color, and it becomes merely | captured everything, because afterwards it will |
| decorative. Some photographers use [ it ] | be too late. - Henri Cartier Bresson |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | Photography is about finding out what can |
| - Mary Ellen Mark | happen in the frame. When you put four |
| | edges around some facts, you change those |
| | facts. - Gary Winogrand |
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