| I think you have to have a real point of view | You can find pictures anywhere. It's simply a |
| that's your own. You have to tell it your way. | matter of noticing things and organizing them. |
| And, I think that it's a mistake to shoot for a | You just have to care about what's around you |
| specific magazine's point of view because it's | and have a concern with humanity and the |
| never going to be as good. You have to shoot | human comedy. - Elliott Erwitt |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | Keep it simple. - Alfred Eienstaedt |
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| Photography is a major force in explaining | Sometimes you can tell a large story with a |
| man to man. - Edward Steichen | tiny subject. - Eliot Porter |
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New York |
Houston |
Brooklyn |
Des Moines |
Arlington |
Amarillo |
Auburn |
Greenville |
Fayetteville |
Chicago |
Harrisonburg |
Murray |
Clarksburg |
Kalkaska |
Marshall |
Kent |
Cumming |
St. Albans |
Huntsville |
Edmonds |
Townsend |
Southern Pines |
Horse Cave |
Joliet |
Glendive |
Odem |
Pasadena |
Benson |
Tarzana |
Charleston |
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| There is nothing worse than a sharp image of | One should really use the camera as though |
| a fuzzy concept. - Ansel Adams | tomorrow you'd be stricken blind. |
| | - Dorothea Lange |
| Photography is my passion. - Alfred | |
| Stieglitz | The difficulty with color is to go beyond the |
| | fact that it's color to have it be not just a |
| It is not the language of painters but the | colorful picture but really be a picture about |
| language of nature which one should listen to. | something. It's difficult. So often color gets |
| . . . The feeling for the things themselves, for | caught up in color, and it becomes merely |
| reality, is more important than the feeling for | decorative. Some photographers use [ it ] |
| pictures. - Vincent Van Gogh | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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