| ...words and pictures can work together to | The difficulty with color is to go beyond the |
| communicate more powerfully than either | fact that it's color to have it be not just a |
| alone. -William Albert Allard | colorful picture but really be a picture about |
| | something. It's difficult. So often color gets |
| Photography records the gamut of feelings | caught up in color, and it becomes merely |
| written on the human face, the beauty of the | decorative. Some photographers use [ it ] |
| earth and skies that man has inherited and the | brilliantly to make visual statements combining |
| wealth and confusion man has created. | color and content; otherwise it is empty. |
| - Edward Steichen | - Mary Ellen Mark |
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Houston |
Columbus |
Riverside |
Worcester |
Macon |
Warwick |
Lake City |
Beaumont |
Long Island City |
Kalamazoo |
Covington |
Garland |
Nampa |
San Mateo |
Abilene |
Placentia |
Sterling |
Cornelius |
Sullivan |
Wyoming |
Cedar Rapids |
Shoreview |
Northfield |
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| It is not the language of painters but the | No place is boring, if you've had a good |
| language of nature which one should listen to. | night's sleep and have a pocket full of |
| . . . The feeling for the things themselves, for | unexposed film. - Robert Adams |
| reality, is more important than the feeling for | |
| pictures. - Vincent Van Gogh | A room hung with pictures is a room hung with |
| | thoughts. - Sir Joshua Reynolds |
| "Simply look with perceptive eyes at the | |
| world about you, and trust to your own | You can find pictures anywhere. It's simply a |
| reactions and convictions. Ask yourself: | matter of noticing things and organizing them. |
| "Does this subject move me to feel, think | You just have to care about what's around you |
| and dream? Can I visualize a print - my own | and have a concern with humanity and the |
| personal statement of what I feel and want to | human comedy. - Elliott Erwitt |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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