| Memory is very important, the memory of | Photography takes an instant out of time, |
| each photo taken, flowing at the same speed | altering life by holding it still. - Dorothea |
| as the event. During the work, you have to be | Lange |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | Now to consult the rules of composition before |
| be too late. - Henri Cartier Bresson | making a picture is a little like consulting the |
| | law of gravitation before going for a walk. |
| Pictures you have taken have an influence on | Such rules and laws are deduced from the |
| those that you are going to make. | accomplished fact; they are the products of |
| That's life! - John Sexton | reflection . . . - Edward Weston |
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| You can find pictures anywhere. It's simply a | My own eyes are no more than scouts on a |
| matter of noticing things and organizing them. | preliminary search, for the camera's eye may |
| You just have to care about what's around you | entirely change my idea. - Edward |
| and have a concern with humanity and the | Weston |
| human comedy. - Elliott Erwitt | |
| | The difficulty with color is to go beyond the |
| A picture is the expression of an impression. If | fact that it's color to have it be not just a |
| the beautiful were not in us, how would we | colorful picture but really be a picture about |
| ever recognize it? - Ernst Haas | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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