| I think you have to have a real point of view | [Photography] is a way of feeling, of touching, |
| that's your own. You have to tell it your way. | of loving. What you have caught on film is |
| And, I think that it's a mistake to shoot for a | captured forever . . . it remembers little things, |
| specific magazine's point of view because it's | long after you have forgotten everything. |
| never going to be as good. You have to shoot | - Aaron Siskind |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | It is not the language of painters but the |
| | language of nature which one should listen to. |
| Pictures you have taken have an influence on | . . . The feeling for the things themselves, for |
| those that you are going to make. | reality, is more important than the feeling for |
| That's life! - John Sexton | pictures. - Vincent Van Gogh |
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Philadelphia |
Washington |
Salt Lake City |
Tucson |
Toms River |
Staten Island |
Alliance |
Lakewood |
Concord |
New Castle |
Baton Rouge |
Rockford |
Coral Gables |
Chicago |
Warsaw |
Mason |
Tinley Park |
Waldorf |
Charleston |
Ormond Beach |
Chiefland |
Austell |
Opelousas |
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| A mad, keen photographer needs to get out | I think the best pictures are often on the edges |
| into the world and work and make mistakes. | of any situation, I don't find photographing the |
| - Sam Abell | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| Photography suits the temper of this ageof | Allard |
| active bodies and minds. It is a perfect | |
| medium for one whose mind is teeming with | Keep it simple. - Alfred Eienstaedt |
| ideas, imagery, for a prolific worker who | |
| would be slowed down by painting or | A good picture is equivalent to a good deed. |
| sculpting, for one who sees quickly and acts | - Vincent Van Gogh |
| decisively, accurately. - Edward Weston | |
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