| One should really use the camera as though | No place is boring, if you've had a good |
| tomorrow you'd be stricken blind. | night's sleep and have a pocket full of |
| - Dorothea Lange | unexposed film. - Robert Adams |
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| Photography suits the temper of this ageof | Sometimes you can tell a large story with a |
| active bodies and minds. It is a perfect | tiny subject. - Eliot Porter |
| medium for one whose mind is teeming with | |
| ideas, imagery, for a prolific worker who | A picture is the expression of an impression. If |
| would be slowed down by painting or | the beautiful were not in us, how would we |
| sculpting, for one who sees quickly and acts | ever recognize it? - Ernst Haas |
| decisively, accurately. - Edward Weston | |
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New York |
Fort Worth |
Salt Lake City |
Delray Beach |
Chino |
Duncan |
Greenwood |
Richmond |
Jefferson |
Middletown |
West Sacramento |
Scottsdale |
Lompoc |
Tacoma |
Florence |
Forney |
Valdosta |
Warner Robins |
Flushing |
St George |
Great Bend |
Augusta |
Purgatory |
Urbana |
Estes Park |
Caseyville |
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| [Photography] is a way of feeling, of touching, | Memory is very important, the memory of |
| of loving. What you have caught on film is | each photo taken, flowing at the same speed |
| captured forever . . . it remembers little things, | as the event. During the work, you have to be |
| long after you have forgotten everything. | sure that you haven't left any holes, that you've |
| - Aaron Siskind | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
| "Simply look with perceptive eyes at the | |
| world about you, and trust to your own | Photography is a major force in explaining |
| reactions and convictions. Ask yourself: | man to man. - Edward Steichen |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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